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Mashima had six assistants in 2008 that worked in an 8,000 sq. The main characters of both Rave and Fairy Tail do not have fathers, partly taken from Mashima's own experience of his father dying when he was young. Mashima said in an interview that he did this because Japanese readers may not be familiar with western fantasy names. He also named a character Fuyu, which is Japanese for winter. In Monster Soul, his main character is Aki (Autumn), and in Monster Hunter Orage, he names a character Shiki, which is the Japanese word for seasons. In Fairy Tail, the main character is Natsu ( 夏) which is the Japanese word for summer. In Rave, the main character is named Haru which is Japanese for spring. Mashima has named his main characters after the seasons. He stated that while he tries to consider both his own interests and the fans' on what will happen next in Fairy Tail, the fans take precedence.
In 2011, Berserk was stated to be his favorite manga.įor Rave, Mashima's inspiration was wanting to travel the world, while for Fairy Tail it was simply sitting in bars and partying with his friends, the community aspect, but is also about young people finding their calling.
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In 2008, when asked if there were any current titles that inspired him, he gave Code Geass as a response. He also read/watched several works by Hayao Miyazaki as a child.
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Mashima listed Akira Toriyama's Dragon Ball as his favorite manga growing up, the video game series Dragon Quest, and Yudetamago's Kinnikuman as inspiring him to become an artist.
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Another spin-off manga titled Fairy Tail Gaiden: Kengami no Sōryū ("Fairy Tail Spinoff: Twin Dragons of Sabertooth") and created by Kyōta Shibano launched on Jin Kodansha's free Magazine Pocket mobile app. Mashima also collaborated with Miu Kawasaki to write two light novels: Fairy Tail: The Color Residing Within The Heart (2012) and Fairy Tail 2: Each Single Day After the Grand Magic Games (2014). In 2014, three spin-offs were released: Tale of Fairy Tail: Ice Trail by Yuusuke Shirato Fairy Tail: Blue Mistral by Rui Watanabe and Fairy Girls by BOKU. From summer 2014 to July 17, 2015, Fairy Tail had its own monthly magazine titled Monthly Fairy Tail, which included a prequel manga by Mashima himself titled Fairy Tail Zerø. Mashima's Fairy Tail has inspired several other works. A special 2013 issue of Weekly Shōnen Magazine featured a small crossover between Fairy Tail and Nakaba Suzuki's The Seven Deadly Sins, where each artist drew a yonkoma (four-panel comic) of the other's series. It was adapted into an original video animation released in August 2013. In 2011, he created a crossover manga between Rave and Fairy Tail published in the May issue of Weekly Shōnen Magazine. Also in 2008, he drew a remake of Atsushi Kase's gag manga Chameleon for the 50th anniversary of Weekly Shōnen Magazine. Mashima serialized Monster Hunter Orage, an adaptation of the Monster Hunter video games, in Monthly Shōnen Rival from 2008 to 2009. Fairy Tail began serialization in Kodansha's Weekly Shōnen Magazine in 2006 and has been adapted into a television anime series. While working on Rave, Mashima drew the prototype for what would become Fairy Tail. Those stories include, among others, "Magician", "Xmas Hearts" and the "Fairy Tail" pilot chapter.įrom 2005 to 2007, Mashima wrote Monster Soul in Comic BomBom. In 2003, he collected some of his one-shot titles in two volumes: Mashima-en Vol.1 & 2. Both the manga and anime were released in North America under the name Rave Master. It ran until 2005 and was adapted into an anime titled Groove Adventure Rave from 2001 to 2002. He made his official serialization debut the following year with Rave in Weekly Shōnen Magazine. Mashima created a story on his own and brought it to manga editors, which led to entering it into a competition that he won.
He stated that while it taught him the basics, he felt it would not help as a professional. When he graduated high school, he entered a school specializing in teaching manga artists, but left without completing the studies. After reading them, Mashima would draw from them. Living in the mountains as a child, his grandfather would bring him discarded manga that he found.
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His father was an artist that aspired to turn professional but died when Mashima was young.
Hiro Mashima stated that he knew he wanted to be a manga artist for as long as he can recall.
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